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“I got an email from someone at Microsoft - I’m guessing it was the tech department - saying, ‘We’re having a contest on that photo,'” O’Rear said. And most likely, “Bliss” will forever remain his most famous work. He shot photos for other stories on advanced materials, as well as a coffee table book about Silicon Valley. It’s his hand, he said, with a Motorola 68000 chip on the cover of the magazine’s October 1982 cover. He helped pioneer National Geographic‘s technology coverage. O’Rear itself has its own separate technological connections. “Sorry, everyone, it’s the real deal,” he said. O’Rear swears that the original Bliss photo appears when his camera captured it. If the 2014 version of “Bliss” isn’t your thing, more verdant vistas are just a short walk away. But as you already know from the drive, those verdant vistas are only a few hundred yards away. Unfortunately, the presence of farm machinery – and a house built on the back of the hill – robs the new “Bliss” image of its natural beauty. The only grasses are those at the bottom of a steep embankment, which grow next to rose bushes next to the fence. What you’ll soon discover, however, is that the verdant, verdant hills have given way to the region’s cash crop: wine. As you’ll see from my photos, I’ve never really found a way to eliminate the ledge in the background. You have been warned.Īt the bottom of the hill you have to walk back and forth until you find the right vantage point. Thereafter carefully walk back a quarter of a mile and only cross the highway when no cars are coming. But an alternative is to find a place to turn around and then park next to a pay phone as you head east toward Sonoma. The safest way to visit the place is to find a place in town to park and then walk back. Driving from Napa to Sonoma, it’s just over a mile past the beautiful Domaine Carneros. Since then, the location of the “Bliss” photo has been disclosed: about here, on Highway 12 (overlapping Hwy 121) in Sonoma County. O’Rear can’t disclose the amount, but he said it would be an acceptable amount at the time - and it still is. But what he? did do was jump on a plane with the original transparency and accept a hefty check for his work. “I have no idea how many photos they looked at,” O’Rear said.